accidentally deleted your post.


To post video open the film clip tab up above and enter the DIRECT LINK URL in the box that opens then post.

Anthony,

you've got to hit the "reply" button, instead of writing in the "quick reply" screen, to see the text editing tools in  the header above the text box.  It's the screen with the smilies on the left.  the "insert embeded video" tab is the second in from the right that looks like a clip of film negative. 

Anyone know if that's a 70s Strat he's playing ?

"Number One", also called "First Wife" is the beat-up mongrel Strat that we all know and love. Constructed of a 1959 body, and (originally) a 1962 neck, it possessed a deep, dark growl of a tone that was immediately identifiable. Even though it used all "stock" Fender Strat parts, about the only "original equipment" parts it possessed by 1990 were the body and the pickups. Over the years, Stevie and Rene Martinez, his guitar tech, replaced the pickguard, vibrato unit, saddles and neck. Some modifications were purely cosmetic, some were functional (to derive a particular feel or tone), and others were out-and-out repairs.

Number One was obtained in 1973 in a trade-in of his first Strat, the 1963 he purchased in 1969. According to Stevie, he saw the Strat in Ray Hennig's Heart of Texas Music, in Austin. He said he knew that this tobacco-sunburst, used Strat was, just by looking at it, the guitar for him. The neck was an oddly-shaped rosewood D-neck, very large, which fit Stevie's large hands like a glove. The body was stamped "LF-1959", but the neck was stamped "1962". Stevie surmised that Leo Fender probably assembled this guitar from left-over 1959 production parts in 1962. It was rumored that the "LF-1959" actually meant "Louis Fuentes" and not Leo Fender. Neither was ever truly verified.

In interviews, Rene sometimes took issue as to the date of manufacture of Number One. Rene claims he has found that the pickups are 1959, while both the neck and body are 1961. In Stevie's mind, the guitar was a factory-cobbled-up 1959, so all discussion ended there.

The guitar originally came with a stock, early-sixties style white pickguard, a right-handed vibrato unit, and 1959 pickups. It is rumored that sometime during the life of the guitar, either Stevie or a previous owner had the pickups rewound at the Fender factory. The result was a slight overwind from original, which is duplicated in the SRV Signature Strat. I cannot find proof of the pickup rewind.

Over the years, Stevie replaced the pickguard (several times) with a black pickguard and added his "SRV" initials in iridescent lettering of several styles. Rene Martinez remarked that he would prowl truck stops to obtain letters to replace the ones that wore away. Eventually the iridescent "SRV" was replaced by Letraset script-style lettering, first seen during his appearance on the "Tonight Show" in 1989. This show introduced the SRV Signature Strat prototype. Stevie was to play this prototype, but it did not sport his trademark initials. The "Tonight Show" art department came up with this new lettering style at the last minute. These script letters are what is engraved in outline form on the SRV Sig Strat.

The vibrato was replaced with a gold left-handed unit sometime around 1977. This was the beginning of Stevie's "Hendrix period". Since Jimi Hendrix and Otis Rush played a right-handed guitar turned "upside down", therefore putting the vibrato bar on top, Stevie emulated this by installing a left-handed vibrato unit in Number One. He also felt it gave him better access to the bar, but did remark that several times, during especially manic performances, it fairly well tore half his sleeve off when he got caught-up on it. Stevie normally used four or five springs in this unit, and had the pivot plate pulled tight against the body. This meant he could only push the bar, and not pull up on it.

Another significant change from stock were the installation of jumbo bass-style frets. This added to the sustain, and gave Stevie added ability to bend the strings with the enormous strings that he used. He gradually went to smaller strings as he got older, but they were still heavy by modern standards. His string sizes in 1984 were generally .013, .015- .016, .019, .028, .038, and .056-.060. In the 1970s, his high E string would sometimes go as high as a .018! By the time 1989 rolled around, Rene convinced him to use a .011 or .012 to save his fingers. His fingers would get torn up so badly that he would actually use super glue to re-attach torn callouses.

The finish of Number One became progressively more beaten up as the years went by. Stevie would pound, scrape, kick, stand on, and otherwise torture the guitar during his performances. Eventually it developed a quarter-inch gouge just above the pickguard where Stevie's manic strumming continually bashed it. There probably was not a square inch of lacquer remaining by 1990. That certainly did not detract from the wonderful sounds it made.

It is not known when the original neck was replaced. Number One had many repairs throughout Stevie's career. An early mishap can be seen on the liner photos for the IN THE BEGINNING album. Stevie had watched how his brother Jimmie would bounce his guitar off the wall, and he thought it was a cool trick. During an early performance of "Third Stone From the Sun", he recalled, he tossed Number One a little too hard. It hit the wall at a bad angle, and severely split the headstock. The photos in the album show the taped-up headstock. Either Rene Martinez or Charley Wirz eventually repaired this damage, as Rene has said that Stevie used the original neck until 1989.

Stevie briefly considered retiring Number One by late 1989, when the neck became unusable. It had gone through so many re-frets and repairs that it just could not hold another re-fret, and its playability was near impossible. So, Rene swapped the neck from "Scotch", a 1963 Strat, onto Number One. This was the neck that was snapped on July 9, 1990 at the Garden State Art Center in New Jersey, when a heavy piece of stage scenery fell on several guitars. This prompted Stevie to beg Rene to try and get one more life out of the old neck. Rene ended up ordering a replacement vintage neck directly from Fender, and received (according to Rene) a 1963 copy, similar to what was destroyed in the accident. Stevie was without Number One for only one show.

Number One was originally rumored to be buried with Stevie at Laurel Land Cemetery, near Dallas. Current reports indicate that Number One actually "resides" with one of the Vaughan family members, either Jimmie or his mother. Rene Martinez swapped the original neck back onto Number One and gave it to the Vaughan family. However, Number One is located in a secured vault, in the possession of Jimmie Vaughan (verified by Vaughan himself during a 2000 interview), despite persistent rumors that it is buried with Stevie.

Thanks Raman..Googles more awesome than me.

Raman wrote:

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Yure right Dean, Anthony's wrtie up proves it,,spot on bro !!

Gosh Anthony,, do you know your subject ???
Haha man,, thats a fine piece of research,,IMHO !!

All the details,,great analysis and timed conclusions !

You brought alive, the legend of No. 1,,, R.I.P. SRV !

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close enough for government work . I had the priviledge of seeing SRV 3 times, during the Texas Flood, Soul to Soul, and In Step Tours. The last tour was with Jeff Beck from the 6th row.

 

-- Edited by DeanC on Sunday 10th of May 2009 10:26:21 PM

Dude, you've got six months on me, who you trying to fool

Is Jeff. B in meetings ????
I know his mate Eric.C does meetings regularly in London !
I wish id know which ones,,may well hang out and say HI !